Brian Eno, Chris Cutler, and John Oswald on the Technological Reproducibility of Music
The essays by Eno and Cutler are seminal. I am also including Oswald’s essay. These are from an Anthology, Audio Culture: Readings in Modern Music, edited by Cox and Warner. Brian Eno, “The Studio as Compositional Tool,” John Oswald, “Bettered by the Borrower: The Ethics of Musical Debt,” and “Plunderphonia” by Chris Cutler Audio Culture.PDF
Georges Méliès — Le voyage à travers l’Impossible